"The Beekeeper's Bible" is as much an ultimate guide to the practical essentials of beekeeping as it is a beautiful almanac to be read from cover to cover. Part history book, part handbook, and part cookbook, this illustrated tome covers every facet of the ancient hobby of beekeeping, from how to manage hives safely to harvesting one's own honey, and ideas for how to use honey and beeswax. Detailed instructions for making candles, furniture polish, beauty products, and nearly 100 honey-themed recipes are included. Fully illustrated with how-to photography and unique etchings, any backyard enthusiast or gardener can confidently dive into beekeeping with this book in hand (or daydream about harvesting their own honey while relaxing in the comfort of an armchair).
Praise for "The Beekeeper's Bible"
"Jones and Sweeney-Lynch explain the science and society of bees in clear, accessible language. And the recipes are admirably useful: honey scones, honey soap, honey hangover cures. 'Oh, stuff and fluff, ' as Pooh might say. Dip a paw into this richly satisfying volume and you won't have to do stoutness exercises."
-"The New York Times
""Lip-smackin' throughout, "The Beekeeper's Bible" is, at its heart, a glorious invitation into the depths of the honeybee hive." --"Chicago Tribune"
"An elegant, information-packed addition to the library of the most serious beekeeper." --"Better Homes & Gardens Country Gardens"

"An amazing compendium of information, lore, facts, tips, techniques, and benefits of having bees in your life--whether you choose to keep a hive yourself, enjoy the by-products, or just appreciate these wonderful creatures for all that they contribute to our human ecosystem."

--About.com

Channeling the rhythms and the logic, the sense and the nonsense of domains as vast and varied as quantum physics, mid-century mass culture, the insides of a crayon box and the storehouse of personal memory, Black and White Coloring Book takes on the project of decoding the modern American experience in all of its hilarity, despair and fleeting human connection.

This poet is at home with philosophy, astronomy, astute observations of popular culture and places (especially Iowa, with poems that will become classics) and satiric probes of various forms of cultural madness, and he conveys great passion in his love poems. With this book he will win new friends, admirers, and others who will be, like me, making lists of their favorites.

Postmodern Racial Dialectics is a collection of ten essays on African American philosophy. Addressing issues as disparate as why there are no graduate programs in philosophy at the more than one hundred traditionally black colleges and universities in the U.S.-to conceptions of Black utopianism-to the nature of postmodern revolutions, these essays are beyond the bounds of traditional racial discourse. The essays are dialectical in the sense that they are conversations between personal histories, between ideologies, and between changing ways that the races talk to one another. The book is postmodern in that it is beyond modernity's linear logic. Postmodern Racial Dialectics is also a political entreaty for African Americans to be wary of conventional ways of thinking, and to begin thinking transgressively beyond narrowly prescribed conceptions from both sides of the color line.

Postmodern Racial Dialectics is a collection of ten essays on African American philosophy. Addressing issues as disparate as why there are no graduate programs in philosophy at the more than one hundred traditionally black colleges and universities in the U.S.-to conceptions of Black utopianism-to the nature of postmodern revolutions, these essays are beyond the bounds of traditional racial discourse. The essays are dialectical in the sense that they are conversations between personal histories, between ideologies, and between changing ways that the races talk to one another. The book is postmodern in that it is beyond modernity's linear logic. Postmodern Racial Dialectics is also a political entreaty for African Americans to be wary of conventional ways of thinking, and to begin thinking transgressively beyond narrowly prescribed conceptions from both sides of the color line.

The Black Book: Wittgenstein and Race attempts to highlight the importance of Ludwig Wittgenstein's work for contemporary African American and Africana philosophy. Richard A. Jones argues that Wittgenstein's early Tractarian views on logical atomism and his later more holistic views from his work Philosophical Investigations are exceedingly relevant to African American philosophy. The Black Book investigates the epistemic, linguistic, and political grounds from which inspiration might be drawn. Ultimately, as philosophy attempts to redefine itself in a postmodern discourse where it has been deigned "concluded," it is the "awe for the ordinary" that Wittgenstein inspires and that should re-inspire the creative imaginary in Africana thought. The Black Book is an attempt to show that Wittgenstein's work continues to be important, not only for African American philosophers, but for all philosophers.

The Black Book: Wittgenstein and Race attempts to highlight the importance of Ludwig Wittgenstein's work for contemporary African American and Africana philosophy. Richard A. Jones argues that Wittgenstein's early Tractarian views on logical atomism and his later more holistic views from his work Philosophical Investigations are exceedingly relevant to African American philosophy. The Black Book investigates the epistemic, linguistic, and political grounds from which inspiration might be drawn. Ultimately, as philosophy attempts to redefine itself in a postmodern discourse where it has been deigned "concluded," it is the "awe for the ordinary" that Wittgenstein inspires and that should re-inspire the creative imaginary in Africana thought. The Black Book is an attempt to show that Wittgenstein's work continues to be important, not only for African American philosophers, but for all philosophers.